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Death Race 2000 has been made avail­able on home video sev­eral times since the 1980’s but has never really got­ten the treat­ment a cult flick of its stature deserves.  From its VHS debut to the early DVD era, it was lim­ited to washed-out open-matte trans­fers that dulled its pop-art visual appeal.  A widescreen disc put out by Disney in 2005 offered a visual upgrade and a few decent extras but didn’t quite deliver the pow­er­house treat­ment such an iconic exploita­tion flick deserves.  It also went out of print fairly quickly.

Thankfully, the new spe­cial edi­tion disc from Shout! Factory, issued as part of its Roger Corman Cult Classics line, gives Death Race 2000 the five-star treat­ment it demands.  It boasts a new anamor­phic widescreen trans­fer that was taken from the inter­pos­i­tive film ele­ments and the result is the best this film has ever looked on video.  The col­ors pop and the visu­als are sharp.  For the audio, they’ve retained the orig­i­nal mono sound­track instead of any remix­ing.  It’s a solid track with plenty of oomph.

Better yet, Shout Factory’s Death Race 2000 disc adds a gen­er­ous array of sup­ple­ments to fur­ther boost the value of its excel­lent trans­fer.  The extras begin with not one but two com­men­tary tracks:  the first fea­tures edi­tor Tina Hirsch and assis­tant direc­tor Lewis Teague while the sec­ond offers pro­ducer Corman and star Mary Woronov.

The Hirsch/Teague track was recorded for this spe­cial edi­tion and is a technical-minded affair, with each par­tic­i­pant delv­ing into the specifics of their work on the film and deliv­er­ing some juicy behind-the-scenes info (Hirsch has some really inter­est­ing sto­ries to tell about the film’s last-minute mix­ing ses­sions). The Corman/Woronov track is car­ried over from the Disney disc and is a broader affair, with Corman cov­er­ing all sorts of pro­duc­tion info while Woronov reflects on work­ing with her fel­low actors.  It’s prob­a­bly the more enter­tain­ing of the two but both are worth­while lis­tens for fans.

However, the heart of the sup­ple­ments cat­e­gory is a set of six fea­turettes that add a sub­stan­tial amount of addi­tional info about the mak­ing of the film.  All but two were pro­duced espe­cially for this new edi­tion.  Topics cov­ered include pro­duc­tion design, the musi­cal score, the cos­tumes as well as more gen­eral info.  Your Humble Reviewer’s favorites were Ready To Wear, an inter­view with cos­tume designer Jane Ruhm, and Start Your Engines, an inter­view with Ib Melchior, whose story inspired the film.  Ruhm tells some eye-opening sto­ries about the chal­lenges of work­ing with David Carradine and Melchior reveals the real-life tragedy that inspired the concept.

Collectors will want to note that the 10-minute making-of piece from the Disney DVD and the Leonard Maltin inter­view with Corman from the old New Concorde disc of this title are included here.  All of the new fea­turettes were edited by Michael Felsher and he does the expected skill­ful job with them.  The inter­views have been crafted into engag­ing nar­ra­tives, with well-chosen footage act­ing as coun­ter­point and music some­times used to ironic effect.  The fea­turettes also boast some snazzy, retro-styled titles sequences.

David Carradine passed away before he could be involved this disc but he appears via a clip from an inter­view for a dif­fer­ent film where he talks a bit about Death Race 2000.  It’s short but sweet, with Carradine lay­ing out the broad strokes of the expe­ri­ence in a laconic and witty manner.

The extras are rounded out by two ver­sions of the the­atri­cal trailer (one fea­tur­ing com­men­tary from John Landis, who also cameos in the film), a t.v. spot, radio spots and trail­ers for other Corman titles being released by Shout! Factory.  The final touch is a nice full-color book­let insert with an essay on the film and trib­utes to stars Roberta Collins and Simone Griffeth.  There’s even a reversible cover that fea­tures the film’s Japanese poster art on the flip side.

All in all, this spe­cial edi­tion offers a defin­i­tive treat­ment of Death Race 2000 on disc.  It’s a shame that Carradine and Paul Bartel died before they could see it but every­thing here, from the trans­fer to the sup­ple­ments, is a ster­ling trib­ute to their work (and that of every­one else involved in the film).  Needless to say, the disc is a required pur­chase for fans and well worth the cheap admis­sion price for any­one inter­ested in clas­sic exploita­tion filmmaking.

Death Race 2000

Death Race 2000

New Anamorphic Widescreen (1.85:1) High-Definition Transfer from the Interpositive Film Element FormatAspect RatioLanguageSubtitles NTSC, Region 1, Color1.85:1 (Widescreen)EnglishN/A Run TimeRatingNo. DiscsOrig. Release 78 minutesR11975


Death Race 2000 (Blu-ray)

Death Race 2000 (Blu-ray)

New Anamorphic Widescreen (1.85:1) High-Definition Transfer from the Interpositive Film Element FormatAspect RatioLanguageSubtitles NTSC, Region 1, Color1.85:1 (Widescreen)EnglishN/A Run TimeRatingNo. DiscsOrig. Release 78 minutesR11975