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Schlock-Wire: Shout Factory Gives You More Bakshi On Blu-Ray With HEAVY TRAFFIC

Here’s some good news for Ralph Bakshi fans: his acclaimed 1973 film Heavy Traffic is about to get its first blu-ray edi­tion cour­tesy of Shout Factory.  This tale of a young under­ground car­toon­ist try­ing to find his way in the big city was Bakshi’s follow-up to Fritz The Cat and it con­tains some of his More >

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Schlock-Wire: Specs For Shout Factory’s 11-Disc Blu-Ray/DVD Set, THE BRUCE LEE LEGACY COLLECTION

When Shout! Factory released new 2-for-1 DVD’s of Bruce Lee’s Golden Harvest pro­duc­tions, many fans hoped that some blu-rays fol­lowed. The com­pany has deliv­ered on that wish (and then some) with the announce­ment of their forth­com­ing The Bruce Lee Legacy Collection. This 11 disc set will con­tain blu-ray and DVD edi­tions of all Lee’s non–Enter More >

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OFFBEAT: A Trainspotter’s Tour Of Britannia’s Forgotten Cinematic Subjects

If you didn’t grow up in the U.K., it’s not always easy to learn about the back­wa­ters of its cin­e­matic his­tory. Most cult film addicts know the basics — Hammer films, the work of Pete Walker, Amicus antholo­gies, etc. — but as with any country’s cin­ema, there’s a host of lesser-known but equally deserv­ing obscu­ri­ties More >

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Digi-Schlock: THE NAME OF THE GAME IS KILL (VCI DVD)

It pays to be opti­mistic if you’re a genre fan.  The ranks of the genre fan­base tend to be the most tena­cious when it comes to unearthing for­got­ten films and reviv­ing them on home video — and each year sees plenty of mirac­u­lous cin­e­matic recov­er­ies mak­ing their way back to the dig­i­tal realm.  One of More >

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Schlock-Wire: Shout Factory Brings Luc Besson’s EXTRAORDINARY ADVENTURES OF ADELE BLANC-SEC To Blu-Ray And DVD

Here is some big news for fans of Luc Besson: his 2010 film The Extraordinary Adventures Of Adele Blanc-Sec will finally make its debut in the U.S. on home video cour­tesy of Shout! Factory. This blend of fan­tasy and adven­ture was adapted from a comic book and fea­tures such notable french actors as Mathieu Amalric More >

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THE EVICTORS: The Last Of The Southern Retro Drive-In Chillers

A lot of the work of Southern film­maker Charles B. Pierce has a qual­ity that is best summed up by the word “quaint”: he spe­cial­ized in films based on leg­ends, mostly chose sub­jects that allowed for a period set­ting and made his films with a style that harkened back to the tech­niques of past film­mak­ing More >

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Schlock-Wire: Grindhouse Releasing Returns With A Diverse Slate Of Cult Movie Blu-Rays And DVD’s

Some major news for fans of hor­ror and exploita­tion fare: Grindhouse Releasing is mak­ing a return to the home video mar­ket with a diverse array of titles: long-lost odd­ity An American Hippie In Israel and British shocker Corruption will be the company’s first new blu-ray and DVD releases, with a tar­get date of September 10th.  More >

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THE NAME OF THE GAME IS KILL: Back To The Days Of The Story-Driven Psycho

Before Halloween and the Friday The 13th sequels pop­u­lar­ized the face­less killer, audi­ences expected a cin­e­matic mass mur­derer to have both per­son­al­ity and psy­chol­ogy.  The suc­cess of Psycho, not to men­tion Whatever Happened To Baby Jane?,  made these two ele­ments vital to the suc­cess of any kill-crazed hor­ror shocker.  These films down­play the “rack­ing up More >

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FEMALE TEACHER HUNTING: Diving Into The Psychosexual Id, Nikkatsu Style

One of the most inter­est­ing things about Nikkatsu’s line of “Roman Porno” soft­core films is how fear­less they were about div­ing into taboo areas of sex­ual fan­tasy. In their attempts to cater to every con­ceiv­able whim or fetish of their audi­ence, Nikkatsu film­mak­ers delved into areas that would be con­sid­ered too taboo or under­ground to More >

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COMPLIANCE: The Arthouse Is Also Capable Of Exploitation

John Waters once said he makes “exploita­tion films for art houses.” It was a joke but there are film­mak­ers live out that joke for real. A little-discussed but ongo­ing part of the art­house reper­toire revolves around films that dress up their desire to push but­tons and exploit sen­si­tive sub­ject mat­ter in some sort of phony More >