Posts tagged New World Pictures

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THE ARENA: Swords & Sandals, Drive-In Feminist Style

One of the great things about pro­ducer Roger Corman was that he was will­ing to let women tackle the kind of cin­e­matic fare that was usu­ally left to men.  Part of it was com­mer­cial cal­cu­la­tion: he knew that women were under­rep­re­sented in genre fare and that both women and men would get a charge from More >

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FLY ME: The Head-Spinning Thrill Of Devil-May-Care Schlock

One of the mag­i­cal expe­ri­ences in schlock film­mak­ing is see­ing a throw­away film that catches you off-guard with its sense of adven­ture.  Even if a film is ground out purely for profit motives, it can be exhil­a­rat­ing if the right blends of energy, gut­ter­snipe inven­tion and like­able cast mem­bers are involved.  Fly Me is a More >

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COVER GIRL MODELS: A Final Shoot For The Three Girl Sex Soap

Combining sex and soap opera mate­r­ial served New World Pictures well dur­ing their early years.  Starting with The Student Nurses, they stum­bled onto a for­mula — build an ensem­ble around three young women will­ing to shed their clothes, give each a soap opera style plot thread of their own and spice it up every reel More >

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MINDWARP: Corman’s New World In A “Just The Facts” Style

Roger Corman played a big role in the direc­tion of pop­u­lar cin­ema dur­ing the 1960’s and 1970’s.  As a result, there a num­ber of biogra­phies avail­able (includ­ing an auto­bi­og­ra­phy from Corman him­self).  However, in-depth accounts of his time run­ning New World Pictures — the bedrock of his rep­u­ta­tion as a career-starting mogul — are sur­pris­ingly More >

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Schlock-Wire: Brace Yourself For Shout Factory’s LETHAL LADIES COLLECTION VOL. 2 In January

Shout! Factory dished up a nice sur­prise last month with the Lethal Ladies Collection, a triple-shot of New World Pictures titles with a “chicks kick ass” theme.  Anyone who enjoyed it will be glad to hear they will be get­ting a sec­ond help­ing at the end of January when they release Lethal Ladies Collection Vol. More >

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TOO HOT TO HANDLE: A Final Bow For A Ruling Couple Of The Grindhouse

Knowing the films of Cheri Caffaro and her direc­tor Don Schain is the kind of thing that sep­a­rates the vet­er­ans from the new­com­ers in the world of exploita­tion film.  This one­time wife/husband duo rocked the b-movie world dur­ing the first half of the 1970’s with a string of films built around the char­ac­ter of Ginger, More >

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FIRECRACKER: Topless Kung Fu Is Sweeter The 2nd Time Around

If a story worked once, it will work again.  Look at the world of remakes, reboots and reimag­in­ings that dom­i­nate pop­u­lar cin­ema today and you’ll see that plenty of exec­u­tives believe in this show­biz prin­ci­ple.  However, this strat­egy is old as Hollywood itself and has been fol­lowed by every­one from the major stu­dios to the More >

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TNT JACKSON: Topless Blaxploitation Kung-Fu Pandemonium!

A b-movie doesn’t have to be “good” in the con­ven­tional crit­i­cal sense to inspire affec­tion in fans of the form.  TNT Jackson is a notable exam­ple of this prin­ci­ple in action.  This blaxploitation-meets-kung-fu genre-blend was made by pro­filic Filipino direc­tor Cirio Santiago, a film­maker noto­ri­ous for crank­ing out drive-in fare as quickly as pos­si­ble.  His More >

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THE VELVET VAMPIRE: Feminist Horror Minus The Feminism And Horror

Stephanie Rothman was a unique tal­ent in 1970’s b-movie cin­ema.  She was a female direc­tor at a time when it was vir­tu­ally impos­si­ble for a woman to get a break in that dis­tinctly mas­cu­line pro­fes­sion.  She fur­ther dis­tin­guished her­self by carv­ing out her own niche in the tough world of exploita­tion film, find­ing suc­cess as More >

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LADY FRANKENSTEIN: Strange Desires Meet Drive-In Feminism In The Laboratory

Lady Frankenstein is one of the more unusual films to emerge from New World Pictures dur­ing its for­ma­tive years.  Rather than tackle then-current exploita­tion themes pop­u­lar in the early 1970’s like women in prison movies and biker flicks, it harkened back to the kind of gothic hor­ror ele­ments that Roger Corman explored in his Edgar More >