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This disc rep­re­sents the fun ver­sion of a “cross­ing the streams” moments for Shout! Factory:  in the process of rolling out their line of 20th Century Fox titles, they’ve uncov­ered a pair of Roger Corman-produced films that would be equally at home in their Roger Corman Cult Classics line.  This pair­ing — Fighting Mad with Moving Violation — offers the viewer a nice trip down mem­ory lane to a time when major stu­dios were more will­ing to churn out smaller-budgeted “sec­ond divi­sion” items that could play along­side the self-produced fare that enter­pris­ing types like Corman made for their own indie companies.

The big high­light here is the new trans­fers these films get.  Neither had pre­vi­ously made it to DVD, exist­ing in a kind of post-VHS limbo that lim­ited their expo­sure to the occa­sional show­ing in full-frame form on cable t.v.  Thankfully, this disc gives each title a fresh anamor­phic trans­fer at 1.78:1 ratio.  The results are crisp and col­or­ful, mak­ing each trans­fer a dra­matic improve­ment over past ver­sions.  The boost in clar­ity really aids Fighting Mad, which uses the kind of nat­u­ral­is­tic light­ing approach that used to fare poorly in video trans­fers.  Original sound­track mixes are used for both films and they both sound pretty robust here, with an easy-to-follow blend of dia­logue, music and effects.

There are also some extras thrown into to fur­ther sweeten this 2-for-1 deal.  Each film gets a com­men­tary track.  The Fighting Mad track fea­tures an all star lineup of direc­tor Jonathan Demme, pro­ducer Roger Corman and stars Peter Fonda and Lynn Lowry while the Moving Violation track offers a trio of pro­ducer Julie Corman, direc­tor Charles Dubin and actor Stephen McHattie.

The Fighting Mad track is the best of the two: Demme is an enthu­si­as­tic ring­leader, excit­edly pep­per­ing the run­ning time with anec­dotes and fond mem­o­ries of his co-workers, while Corman primes him with ques­tion and Fonda and Lowry chime in the occa­sional scene-specific mem­ory.  There is a lot of inter­est­ing mate­r­ial for any b-movie buff here, includ­ing how two of Martin Scorcese’s body­guards ended up in the sup­port­ing cast along­side the author of Rollerball and men­tions of a few scenes that were quickly shot on sets for Jackson County Jail.  Demme even points out a shot designed to quote Bertolucci’s The Conformist! It’s a joy­ous, fast-paced affair that any­one likes the film needs to hear.

Sadly, the Moving Violation com­men­tary doesn’t fare as well: McHattie seems to have lit­tle in the way of mem­o­ries or enthu­si­asm while Dubin is enthu­si­as­tic but doesn’t have that much to say beyond some stock com­ments about the process and effu­sive praise for his cowork­ers.  However, Julie Corman holds the track together by sup­ply­ing some mem­o­ries and prim­ing the track with ques­tions of her own.  There are a few good tales for the patient lis­tener, includ­ing Eddie Albert’s incred­u­lous reac­tion to a par­tic­u­larly hairy car stunt he had to appear in.

The pack­age is rounded out by a vari­ety of trail­ers.  Theatrical and t.v. spots are pre­sented for both of the main attrac­tions: be sure to watch the t.v. ad for Fighting Mad, which curi­ously pitches it as a car-crash caper in the vein of Dirty Mary Crazy Larry!  There is also a bonus trail­ers sec­tion that includes pre­views for two hotly antic­i­pated items soon to be released by Shout Factory on DVD, Damnation Alley and Gordon’s War.

In short, this is yet another fine double-bill from Shout Factory, serv­ing up strong trans­fers and worth­while bonus con­tent at a fan-friendly price.  If you’ve got a jones for 1970’s drive-in fare, this Fighting Mad/Moving Violation deliv­ers the knock­about goods.

Fighting Mad / Moving Violation [Double Feature]

Fighting Mad / Moving Violation [Double Feature]

Fighting Mad / Moving Violation [Double Feature]      Fighting Mad: An Arkansas farmer stages a one-man war against cor­rupt land devel­op­ers who want to evict him and his neigh­bors from their farms for real estate devel­op­ments. Moving Violation: A young cou­ple wit­nesses a sher­iff mur­der­ing a police offi­cer. When the sher­iff real­izes that they saw him com­mit the crime, he char­ac­ter­izes them as ter­ror­ists and tries to frame them for the murder.