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Slasher film buffs have good rea­son to love dig­i­tal cin­ema for­mats because they have been pretty good to this most often cen­sored of gen­res.  For instance, MGM made it pos­si­ble for fans to see an uncut ver­sion of The Burning went they went back to the orig­i­nal neg­a­tive for their DVD and restored all the choice effects that were shorn to ensure an R-rating.  LionsGate’s excel­lent blu-ray edi­tion of the orig­i­nal My Bloody Valentine was another fine exam­ple, giv­ing view­ers the option to incor­po­rate never-before-seen snips of gore that were cut from the the­atri­cal ver­sion at the last minute.

Discoveries like those breed eter­nal hope in slasher fans that their MPAA-brutalized favorites will be allowed to shine once more in their uncut glory on home video.  If you’re a fan of that per­sua­sion, then you def­i­nitely need to check out Synapse’s blu-ray/DVD combo pack of The Dorm That Dripped Blood.  This release rep­re­sents the first time that any fans have been able to see this lesser-known slasher uncut — and offers a nice lit­tle pack­age of extras, to boot.

Things get started with a brand new anamor­phic trans­fer taken from the orig­i­nal answer print of the director’s cut, which is pre­sented with its orig­i­nal title of Death Dorm.  It restores all the Matthew Mungle gore FX that were snipped to appease the MPAA — which are really impres­sive for such a low-budget ven­ture — as well as few other trims made from other scenes.

This film was shot on 16mm and blown up to 35mm so the image qual­ity isn’t demo mate­r­ial but its likely as good as the film will ever look given the cir­cum­stances.  The grainy tex­ture of the blow-up has a nicely cin­e­matic look with strong col­ors and nice shadow detail.  The cleanup job done on it looks great: you’d swear it came from the neg­a­tive.  The audio sticks to the orig­nal mono mix and its a solid one that makes great use Christopher Young’s violin-sting score.

The pack­age is com­pleted by some nice extras.  The first of these is a com­men­tary track by co-writers/directors Jeffery Obrow and Stephen Carpenter.  It’s an easy-going but enthu­si­as­tic track that offers plen­ti­ful pro­duc­tion sto­ries.  Obrow and Carpenter dis­cuss how they took advan­tage of avail­able equip­ment and loca­tions at UCLA to get their first film while still stu­dents going as well as the chal­lenges of get­ting it into the mar­ket­place.  They also offer some advice to young film­mak­ers on how they should go about get­ting their own first fea­ture going.  Finally, they’re like­ably self-deprecating about their choices as first film­mak­ers, point­ing out moments that don’t work and ques­tion­able plot twists.

There are also a pair of fea­turettes pro­duced by Michael Felsher: “My First Score” is built around an inter­view with com­poser Christopher Young while is an inter­view with FX cre­ator Matthew Mungle.  Both are short, punchy pieces that fol­low a sim­i­lar nar­ra­tive line: it was the first film gig for both Young and Mungle so they gave it their all despite lim­ited resources.  Young also talks about how being a musi­cian col­ors his approach to the rest of the world and Mungle speaks frankly about the pain of labor­ing over effects that got from the film (his piece fea­tures some inter­est­ing side-by-side com­par­isons of the the­atri­cal and uncut ver­sions to illus­trate the point).  One might wish these pieces were longer but they’re well-done and effec­tively edited.

The pack­age is rounded out by two dif­fer­ent the­atri­cal trail­ers for the film: one under its The Dorm That Dripped Blood title and the other under its ini­tial theatrical-release title of Pranks.  The lat­ter is par­tic­u­larly inter­est­ing in how it tries to force a “prac­ti­cal joke” angle on the film that doesn’t exist and makes it easy to under­stand why the film was retitled.

All in all, this is not just a fine edi­tion of a lesser-known film — it’s a heroic recla­ma­tion of the film on a par with the afore­men­tioned The Burning and My Bloody Valentine discs.  The fact that it’s combo-pack that offers both Blu-Ray and DVD edi­tions in one slim pack­age fur­ther sweet­ens the deal.  If slash­ers are your thing, you should make some room on your video shelf for this release.