Archive for year 2011

ThinLBook-icon

Schlock-Wire: Don’t Miss Out On Martin Popoff’s New THIN LIZZY 69–76 Biography!

The Schlock-Wire closes out 2011 on a rock-scholarly note with some belated good news for Thin Lizzy fans.  Martin Popoff, a spe­cial­ist in biogra­phies on hard rock leg­ends, has released the first install­ment of a biog­ra­phy on Irish leg­ends Thin Lizzy.  This tome is enti­tled Fighting My Way Back: Thin Lizzy 69–76 and cov­ers the More >

Fast5-icon

FAST FIVE: A High Octane Vacation For Your Brain

There’s noth­ing wrong with mak­ing a goof­ball pop­corn movie.  Despite the many bad exam­ple of the form in mod­ern times — we’re look­ing at you, Michael Bay — there is always room for an ener­getic bit of fluff that daz­zles your eyes while your intel­lec­tual capa­bil­i­ties take a nice nap.  When such a movie is More >

FDLCC-icon

Schlock-Wire: RaroVideo Brings The FERNANDO DI LEO CRIME COLLECTION To Blu-Ray In January

One of the most excit­ing devel­op­ments for fans of Eurocrime fare in 2011 was the release of the Fernando Di Leo Crime Collection box set on DVD.  In 2012, RaroVideo will take this set to the next level by giv­ing it a blu-ray release.  As with the DVD set, the blu-ray release will con­tain Caliber More >

KillTI-icon

KILL THE IRISHMAN: The Gangster With A Heart Of Pure (And Irresistible) Hokum

There cer­tain gen­res that func­tion as the cin­e­matic ver­sion of “com­fort food” for their fans.  Even if a film from one of these gen­res has seri­ous prob­lems, it can still inspire affec­tion in genre fans if it makes the appro­pri­ate moves.  This is dou­bly true if that film has the kind of cast to inspire More >

StrDg11-icon

STRAW DOGS (2011 Version): When Bloodlust Gets Pedantic And Pretentious

Whether you accept them or hate them, remakes are an unavoid­able part of the mod­ern Hollywood film land­scape.  The best a film­goer can hope for is that the peo­ple involved in helm­ing a remake dis­till the essen­tial con­cept of the film they are remak­ing, bring a fresh per­spec­tive or inter­est­ing twist to the sto­ry­telling and More >

BurnMoon-icon

Schlock-Wire: InterVision Picture Corp. Unearths German Underground Gore-Shocker THE BURNING MOON In February

Looks like the begin­ning of 2012 will be a busy time for Severin Films off­shoot Intervision:  they’re serv­ing up a pair of Aussie sex­ploita­tion flicks in January and then fol­low­ing that up in February with a release of The Burning Moon.  This was an early straight-to-video effort by Olaf Ittenbach, a gore­meis­ter from Germany whose More >

XMFC-icon

X-MEN: FIRST CLASS: A Mutant Franchise Learns To Control Its Powers

As ready-made as some comic books might seem for film adap­ta­tions, some of them have a com­plex­ity that makes it dif­fi­cult to cap­ture their essence on the big screen.  The X-Men is a good exam­ple: despite its movie-friendly ele­ments -  a strong com­po­nent of melo­drama, a guys-on-a-mission ele­ment that allows for mul­ti­ple adven­tures — it More >

StrDg71-icon

STRAW DOGS (1971 Version): No Answers, Only Questions And Bloodshed

Sam Peckinpah was one of cinema’s great provo­ca­teurs.  He had greater range than he is usu­ally given credit for (see The Ballad Of Cable Hogue or Junior Bonner for a look at his gen­tler, more reflec­tive side) but he found his great­est suc­cess in being con­fronta­tional.   He spe­cialty was dig­ging into the dark­est, most dif­fi­cult More >

TSILI-icon

THE SKIN I LIVE IN: The Sexy, Stylish Side Of Mad Science

If there is a for­eign film­maker who is acces­si­ble to schlock fiends, it’s def­i­nitely Pedro Almodovar.  Any guy who incor­po­rates a snip­pet of Bloody Moon into the open­ing of one of his films (Matador) has to have a lit­tle schlock in his heart — and Almodovar never shies away from mate­r­ial that the Hollywood crowd More >

BRTV1-icon2

Digi-Schlock: BARRY RICHARDS T.V. COLLECTION, VOL. 1 (Resurrection Prod. DVD/CD Set)

The cult movie mar­ket has been ser­viced well by the DVD/blu-ray world but can the same really been said for the cultish rock music mar­ket?  Major labels rarely show an inter­est in this stuff, their cor­po­rate mind­set pre­cludes such chance-taking and rights issues (the bane of the music reis­sue world) fre­quently snuff out the best More >