Archive for year 2010

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THE CHIC ORGANIZATION BOX SET VOL. 1 — SAVOIR FAIRE: Disco’s Platinum Standard

Disco was eas­ily the most producer-driven genre of pop­u­lar music dur­ing the 1970s.  As a result, the pro­duc­ers have star-like sta­tus amongst genre fans.  A vari­ety of names are thrown around when the sub­ject of “who is the best?” comes up but one could eas­ily make the case that Nile Rodgers and Bernard Edwards — More >

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CENTURION: For Those About To Conquer, We Salute You

The suc­cess of Ridley Scott’s Gladiator prompted a brief revival of sword & san­dal cin­ema.  Action fans would have no doubt wel­comed a string of macho sword and san­dal epics.  Unfortunately, the films that resulted — Troy and Alexander among them — were over­stuffed and unfo­cused big-budget duds that failed to deliver the old-school hero­ics More >

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SURVIVOR — PREMONITION: Power Chords Meet Power Ballads

Anyone who shrugs off Survivor as chick-rock might be sur­prised by their sec­ond album, Premonition.   This follow-up to their self-titled debut found Survivor sharp­en­ing their arena-friendly style and lay­er­ing the melodic hooks with a sur­pris­ingly rau­cous, hard-driving sound.  Like REO Speedwagon in their pre-ballad suc­cess era, Survivor’s early albums reveal them to be heart­land rock­ers More >

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FASTER: Bringing “Tough Guy” Back To The Multiplex

The trail­ers for Faster don’t do this film many favors.  First off, they make it look more like a car chase movie than an action movie (Your Humble Reviewer ini­tially feared that it might be a con­tin­u­a­tion of The Fast And The Furious fran­chise).  They also make the film seem like it is sim­ply a More >

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KIM WILDE — SELECT: Doubling Down On The Synth-Pop Darkness

Kim Wilde’s self-titled debut was an instant chart hit in the U.K. and gave her instant com­mer­cial cred­i­bil­ity.  She could have gone the shameless-commercial route and dumbed down her moody new wave approach to reach a broader audi­ence but she didn’t.  Instead, her follow-up out­ing Select actu­ally dou­bles down on the dark­ness.  The result isn’t More >

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TRON: The Cyber-Underdog Of 1982 Still Shines

The sum­mer of 1982 saw the release of many clas­sic genre films, sev­eral of which were shrugged off at the time but are revered as clas­sics today.  For instance, this brief period saw the release of John Carpenter’s remake of The Thing, Videodrome and Blade Runner: all three failed to hit big at the box More >

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BACKBEATS: I GET MY GROOVE and LOVE & JEALOUSY

The lat­est wave of Backbeats com­pi­la­tions fea­tures two entries that devote them­selves to the world of “south­ern soul” music, I Get My Groove and Love & Jealousy.  As you might expect, each draws exten­sively from the famil­iar Hi Records label and includes a few famil­iar names like Ann Peebles and Al Green.  However, nei­ther is More >

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TRON: LEGACY: The Cyber-Future Is… Murky At Best

Of all the hol­i­day block­busters com­ing down the pike for the 2010 hol­i­day sea­son, Tron: Legacy eas­ily has the biggest geek-controversy atmos­phere sur­round­ing it.  Some are call­ing it a shame­ful dis­as­ter and a smaller cir­cle of fans are already stak­ing out a claim for its poten­tial “mis­un­der­stood clas­sic” sta­tus.  Films that inspire this curi­ous blend More >

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THE RED SHIRT CHRONICLES: Part 4 — Working With Romero, Phase 2

Part four of the Red Shirt Chronicles con­tin­ues the George Romero theme of Part 3, get­ting deeper into Michael Felsher’s col­lab­o­ra­tion with the leg­endary hor­ror direc­tor on his recent work.  He made a cameo in Land Of The Dead and made the tran­si­tion from ret­ro­spec­tive doc­u­men­tar­ian to on-the-set doc­u­men­tar­ian by cov­er­ing the pro­duc­tion of both More >

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Digi-Schlock: CRAZY MAMA/THE LADY IN RED (Shout! Factory DVD)

Throughout this year, Shout! Factory has offered exploita­tion fans some of the best value-for-money options this year with their line of Roger Corman Double Feature DVD’s.  Thus, it is fit­ting that they cap the year with one of the best entries in the dou­ble fea­ture line, a strong pair­ing of Crazy Mama and The Lady More >